But it’s unclear exactly how many listeners had this in mind when they first heard Doomsday, either upon its release in 1999 or in the more than 20 years since.
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With all of this in mind, it would be understandable if Operation: Doomsday, Dumile’s first full-length statement as MF DOOM, were a forbiddingly dark affair, full of harrowing tales from the brink and violent threats against his perceived wrongdoers. He’d always been drawn to the metal-faced malefactor, but now he could relate to him: He had suffered an agonizing loss of a loved one, and sworn vengeance against those who had cast him out and spurned his genius. Dumile looked to his childhood to forge his new identity, drawing on his love of comic books as well his nickname, “Doom”-a moniker he shared, of course, with one of Marvel Comics’ greatest supervillains, Doctor Doom. Hip-hop heads who’d been lucky enough to find bootleg copies of Bl_ck B_st_rds were shocked to hear the resemblance between Zev Love X’s voice and that of this MF DOOM character: Could it be the same man who’d been broken by the music industry all those years ago? Fondle ‘Em Records, the label run by New York underground hip-hop impresario Bobbito Garcia, issued a trio of singles-“Dead Bent,” “Greenbacks,” “The M.I.C.”-all attributed to an MF DOOM. Then in late 1997, a faceless figure began appearing at open mic nights at the Nuyorican Poets Café on the Lower East Side-sometimes covering his head with a stocking, sometimes with a luchador’s mask. He drifted down to Atlanta, where his parents lived. He once claimed to have been “damn near homeless, walking the streets of Manhattan, sleeping on benches and shit,” though he later dismissed his own words as mythmaking.
Hip-hop on the East Coast flourished amid a thriving indie scene and a rivalry with the West Coast, but Dumile wasn’t part of it. The five years that followed are shrouded in mystery. But tragedy struck when Dumile’s brother and musical partner DJ Subroc was hit by a car and killed in April 1993 Dumile finished KMD’s follow-up, Bl_ck B_st_rds, on his own, only to be dealt another blow exactly one year after Subroc’s death when Elektra decided to terminate KMD’s contract rather than release an album with a cartoon lynching on its cover.
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Dumile even appeared before a Senate committee that year, urging them to pass a voter registration bill on behalf of Rock the Vote. After an 18-year-old Dumile-then known as Zev Love X-landed a guest verse on Queens hip-hop trio 3rd Bass’s 1989 hit “ The Gas Face,” Elektra Records signed the young rapper’s group, KMD, releasing their debut Mr.
With all due respect to another supervillain, it would be untrue to say that no one cared who Daniel Dumile was until he put on the mask.
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